Figurative painting is experiencing a renewed interest. It’s everywhere: on gallery walls, in magazines, flooding our news feeds. But this resurgence isn’t happening in isolation. It is unfolding alongside the most saturated visual culture we have ever known.
Painting and photography are deeply intertwined in ways we can no longer ignore. Today, a painted figure is not just a painting — it overlays the endless stream of images we scroll through every day. Yet despite their proximity, these two worlds rarely meet on equal terms.
TWO HANDS aims to mark the beginning of a project without explanatory texts, without distractions — purely visual. A call to pause. To look more closely.
