Drawn from a travelling exhibition of Jo Spence’s work, this book offers a chronologically organised account of her evolution as a photographer. It charts her development into a politically and psychologically conscious feminist, weaving together the three core threads of the subtitle: A Political, Personal and Photographic Autobiography. Spence’s work stands as a lifelong exploration of how photography shapes identity—across age, class, and gender. At its heart lies a driving question: how can individuals use photography to represent themselves and reclaim control over their image?
Second-hand. Good condition. First edition. Published by: Camden Press, 1986.
