Guy Davenport, A Balthus Notebook
In his 1989 book on Balthus—the storied and controversial artist who worked in Paris throughout the twentieth century—Guy Davenport gives one of the most nuanced, literary, and compelling readings of the work of this master. Reading it today highlights the change in perspectives on sexuality and nudity in art in the past thirty years.
Written over several years in his notebooks, Davenport’s distinct reflections on Balthus’s paintings try to explain why his work is so radical, and why it has so often come under scrutiny for its depiction of girls and women. Davenport throws the lens back on the viewer and asks: is it us or Balthus who reads sexuality into these paintings?
Arguing that Balthus’s figures are erotic only if we make them so, and that their innocence is more present than anything pornographic in them, Davenport posits that the paintings hold up a mirror to our own perversities and force us, difficultly, to confront them. Davenport’s critique helps us understand Balthus in our times—something we need more than ever as we crucially confront sexual politics in visual art.
By Guy Davenport. Contribution by Judith Thurman. Afterword by Lucas Zwirner.Publication Date: 2020
Dimensions: 4 1/4 x 7 in | 10.8 x 17.8 cm